白居易的偶作诗与唐宋诗学转型

研究唐诗宋词，感受诗词韵律与意境 #生活乐趣# #阅读乐趣# #古典文学阅读#

白居易的偶作诗与唐宋诗学转型

作者:

Bai Juyi’s Ouzuo Poems and the Transformation of Tang and Song Poetry

Author:

WU Jia-lu

WU Jia-lu

School of Literature and Journalism, Xihua University, Chengdu 610037, China
在知网中查找
在百度中查找
在本站中查找

摘要 | | 访问统计 | | | |

摘要:

偶作诗作为一个特定的诗歌类型，定型于中唐时期。白居易是第一个大量创作偶作诗的诗人，他之所以创作数量如此庞大的偶作诗，除了受到了洪州禅“平常心是道”和“无事”的思想观念的影响以外，还受到他以作诗为生活方式的创作观念的影响。结合白居易和其他中唐时期诗人的偶作诗，可以发现其多以叙事手法表现诗人当下的闲适生活。除了以叙事性突出诗人的日常生活，注重表现哲学性和思辨性，它们还具有“重意”“戏作”和“内省”的特质。中唐到宋代偶作意识的变化，反映出了诗人身份和创作行为不断为古典诗人所重视的演变轨迹。

Abstract:

Ouzuo poems, as a specific type of poetry, were crystallized during the Mid-Tang period. Bai Juyi was the first poet to produce a substantial number of Ouzuo poems. His prolific output can be attributed not only to the influence of the Hongzhou Chan philosophy of “ordinary mind is the Way” and “no affairs” but also to his perspective on poetry as a way of life. A comparative analysis of Bai Juyi’s Ouzuo poems and those of other Mid-Tang poets reveals that these poems are characterized by a narrative approach that conveys the poet’s easy-going lifestyle. In addition to highlighting the poet’s quotidian experiences through narrative, these poems emphasize philosophical and contemplative themes, exhibiting traits of “emphasis on meaning”, “playful composition”, and “introspection”. The evolution of Ouzuo awareness from the Mid-Tang to the Song Dynasty reflects the changing trajectory of the poet’s identity and creative practice as increasingly valued by classical poets.

引用本文

吴嘉璐.白居易的偶作诗与唐宋诗学转型[J].重庆工商大学社会科学版,2024,41(6):158-167

复制

文章指标 点击次数:213 下载次数: 0 历史 在线发布日期: 2024-12-11

网址：白居易的偶作诗与唐宋诗学转型 https://www.yuejiaxmz.com/news/view/1070104

相关内容

唐诗鉴赏辞典
山东卫视《中华家庭诗词擂台赛》第六期走近白居易：书尽尘世的人间诗魔
生活充实的古诗句
长沙瓷器上绽放“诗的唐朝” “我有方寸心——唐长沙窑瓷器诗文特展”免费开放
登上百家讲坛！重庆大学罗宇老师主讲“诗中宋宴”
白居易诗歌中的饮食文化研究
唐诗人
关于微尘的诗句
宋人的生活美学：生活有情调，灵魂有诗意
诗意栖居的宋代，“生活美学”中的极致

随便看看